Thursday, November 5, 2009

Fruit of the Loom

Next weekend, November 13, 14, and 15, the Columbia Weavers and Spinners Guild will hold its 20th annual Holiday Exhibition and Sale. I've been a participating member in the sale from the beginning and always look forward to this fun, but rather intense affair. Like all of the twenty-some participants, I've been hard at work all year, trying to produce fiber art that will represent the best of my skills. Many of my things are purchased by people I don't know, and I never see these items again. This year I decided to take some photos of my weavings for the sale so that maybe five or ten years from now, I'll have a reminder of what I was making back in 2009.

First of all, handfuls of brightly-colored woven bookmarks. These are so much fun to weave on a simple inkle loom. The color combinations and patterns are endless.



Next, a bevy of little drawstring treasure bags. On most warps, I like to weave a yard or so of fabric just for these little bags. This allows me to try out color, yarn and design ideas that might not be suitable for table linens. These bags are perfect for small gifts, jewelry, glasses, and special treasures.



Breadcloths always seem to be a popular item at the sale. A loaf of homemade bread nestled in a handwoven breadcloth is a gift that will be remembered for years.





I only have a few table runners this year. Several were given to special friends over the course of the year, so just three will be going to the sale.



While I may not have many runners, I'm bringing armloads of towels. Handwoven towels seem to be a perennial favorite project among weavers, and I'm no exception. They are also an extremely popular item at the sale. We usually have a wall of towels in a rainbow of colors, literally something for everyone's tastes. We find that people who purchase the towels often use them for other purposes such as table runners or even wall hangings!



So there's a summary of my woven items for the sale. In addition to the weavings, I'll be bringing some knitted items - several hats and scarves using my own handspun/hand-dyed yarns. And finally, an assortment of colorful little holiday hat ornaments - great for hanging on the Christmas tree or to warm the head of your favorite house elf!

Wednesday, October 28, 2009

Yipes!

Look out! It's a bat!!!








OK, relax. He just wants to wish everyone a wickedly Happy Halloween!




Tuesday, October 20, 2009

Honeysuckle's Last Blooms

Just as summer was giving way to autumn, I took the last pieces of Honeysuckle Twill variations off my studio loom. I had written about this project in a post early last month. The warp was a lustrous 10/2 Tencel yarn in natural. The neutral base allowed me to play with any color I wanted, but I decided to work with "flowery" colors for the most part.

Three of these pieces were breadcloths, using 5/2 perle cotton as the weft and a pretty straightforward twill treadling. Here are two of them.



One of my favorite weft pairings for Tencel is 8/2 unmercerized cotton. The resulting fabric is a nice blend of the two yarns. The Tencel gives a bit of sheen and a drapey (but not slithery) hand to the cloth. The cotton contributes cushy softness and adds absorbency. This blue towel is woven with the 8/2 unmercerized cotton using a satin tie-up.



For the final piece of this warp, I used a balanced twill tie-up. A balanced tie-up is one in which the number of warp threads rising is equal to the number of warp threads remaining down, so that neither the warp or weft is dominating on the face of the cloth. Again the wefts were 8/2 unmercerized cotton. I used a delicate salmon and light apricot - a final nod to the lighter palette of early summer.



I haven't quite settled on my next project for this loom but weaving these last few Honeysuckle fabrics was a fitting way to bring my summer weaving to a close.

Monday, October 5, 2009

Raddled, Beamed, Knotted, Weaving!

This post is a follow-up to the previous one. During the past week I made some headway in getting all those miles of warp threads onto my loom. On Wednesday I spread the warp in the raddle at the top of my loom, being careful to keep the colors in their correct order.



My Louet Megado loom has an excellent built-in raddle on its castle, as do all of the Louet looms. A raddle is a device which keeps the warp threads in their proper places and helps distribute them evenly on the warp beam.

Once the warp was arranged in the raddle, I attached it to a dowel rod which I then lashed to the warp beam and carefully wound the 15 yard warp onto the warp beam. (I know, I know, these terms sound like something out of Star Trek, but, hey, weavers have been warping, beaming and throwing shuttles long before Gene Roddenberry was even born!) The photo below shows the warp coming down from the raddle, over the back beam, and finally wound nice and snug on the warp beam below. Spreading the warp in the raddle and then beaming it on took two hours.




The next step was to tie each warp thread to the corresponding thread of the old warp which was still on the loom. I plan to use the same threading as I used in my Owls towels, so tying the new warp onto the old saved the step of threading the heddles (the vertical white nylon items in the next photo.) I used square knots to tie each of the 520 new threads to the 520 old threads. I estimated I could tie about 100 knots in a half an hour, so that's another two and one half hours of prep time - and a lot of square knots!



It was late Friday afternoon when all the knots were tied and the old warp was pulled forward to the front of the loom. It in turn pulled the new warp through the heddles, through the reed, and all the way to the front of the loom. At that point I was able to cut off the old warp and tie the new warp ends on to a rod attached to the cloth beam. (The woven fabric is rolled onto the cloth beam where it remains until the weaver unrolls it and cuts it off.) This step took another hour. I didn't take photos of this process because the anticipation was too great! After all that preparation, I just had to get the warp tied up and begin weaving. So... that's exactly what I did.

As luck would have it, Saturday was a grey old day, perfect for staying inside and tossing my shuttle back and forth at my loom. Here's a look at the cloth so far. The weft for the first piece is 8/2 gold tencel. My inspiration for this fabric was an autumn sunset in our woods.



Now that the loom is dressed again, I can look forward to many happy weaving hours. I haven't yet added up the time spent in preparation. I'm sure it will sound like a lot of time and trouble to non-weavers, but for weavers, it's all part of the process. And as the saying goes ... You have to be warped to weave!

Monday, September 28, 2009

In the Beginning

It amazes me still, even after so many years of weaving and so many projects - how a collection of cones of yarn turns into finished woven cloth. I perform the many little steps of the process which I know so well, but seeing the end product still holds a bit of magic for me.



Today's post focuses on how I start a new project. Over the weekend I measured the warp for a series of towels, breadcloths and other household linens. I'll be using a pattern of my own design and 12 different cotton and cotton/linen blend yarns.

For these yarns, I'll have a sett of 24 threads per inch, which means there will be 24 threads in each inch of my warp. This warp will be 21.7" wide. With a bit of simple math, I found that I'll need 520 warp ends for this project. Each warp thread will be 15 yards long. The planning got a bit trickier here because I wanted to arrange my yarns so that there are mainly tans and khakis at the selvedges, shading through some rusty colors into deeper berries and eggplant at the center. I had only small amounts of some of the yarns, so I started planning at the center and worked out to the selvedges. Doing my calculations from the center out allowed me to adjust the warp thread count according to how much of each color I had.

After I got my color arrangement worked out, I measured the 15 yard warp in bundles or chains of about 80 threads each. Measuring the warp took three and a half hours. Frequent color changes slowed down the measuring process somewhat.

Once the warp was measured, I laid it out in the order it will be arranged in on the loom. My first thought was "Wow, that's a lot of yarn!" Just for fun I decided to do a few more calculations to see how much yarn it was. 520 warp threads at 15 yards each equals 7,800 yards of yarn or almost 4 and a half miles, if you stretched it all out end to end. In addition I estimate that I'll use about 6,000 more yards of yarn for the weft. That makes a total of 13,800 yards or 7.84 miles of yarn for this project. That is a lot of yarn.



From all those miles of yarn I expect to end up with approximately 13 and a half yards of woven cloth. It's amusing to think about that mileage scrunched up into towels or runners, etc. This project is especially satisfying for me because all the yarns came from my weaving stash. Nothing extra will need to be purchased. Hmmm, almost 14,000 yards of stash yarn gobbled up by one project. Might even make a knitter overwhelmed with stash yarn consider coming over to the dark side ...

Friday, September 25, 2009

A Surprise



A few days ago my friend Kristin and her Green Woman surprised me with this Domestic Witch Blog Award. It is rather magical how all our crafty activities enrich our lives. Weaving, spinning, knitting, felting, dyeing, gardening, baking bread - I'd be hard-pressed to choose if I had to eliminate something.

So now I get to pass the award on to another three magically domestic witches. Here they are...

My sister Bonnie who has become a magician with her knitting needles and artistic gifts. Her knitting designs are stylish and classic.

My sister Betsey who not only wields her crochet hooks with skill, but she too designs her own patterns. She also does beautiful, colorful rug hooking.

And third, a local domestic wonder woman, the Sinister Scribe. She works her crafty magic while tending to her two young scribe apprentices.

Three cheers to all domestic witches!

The high pitched commotion you may be hearing is coming from my house elves, applauding and cheering ...




Tuesday, September 22, 2009

Keeping Time

a true story with a happy ending



This clock belonged to my maternal grandparents, John and Anna Kruse. They lived in the area just southeast of St. Louis, across the Mississippi River in Illinois. Married in October of 1914, they farmed the fertile Illinois land and raised six children, five sons and a daughter. The youngest child, Anita, is my mother. Anna passed away when my mother was in her early teens. When her father passed away in 1959, my mother inherited this clock. She brought it back to Kansas City where we were living at the time. Over the years, my family moved to the Chicago suburbs, and later, when my dad retired, my parents relocated to central Florida. John’s and Anna’s clock moved along with them.

Time passes ... In the summer of 1997, my daughter (also Anna) and I took a meandering road trip down to Florida to visit my parents. During our visit, my mom asked if I would like to have her family clock. I was very pleased to have a physical connection to the grandfather I remembered fondly and the grandmother I had never known, and so the clock came back to Boone County, Missouri with me. When she gave me the clock, Mom said she thought it might need repairing, she didn’t know for sure. Over the years, I’d intended to find someone reliable to take a look at it. Time slipped by though, and I never got around to seeing if it could be repaired.

Now some more years roll by, until it is last month, August of 2009. After vacationing with my sisters in Massachusetts, my mother journeyed back to her hometown in Illinois for a short visit with family and friends. Since she was in our neck-of-the-woods, (relatively speaking) my husband and I drove to Waterloo to spend a couple of days with her. One afternoon we all visited my mother’s brother, Hubert, who lives with his son Hubie and daughter-in-law, Karen. It was a pleasant afternoon, catching up on one another’s activities and listening to my mother and uncle reminisce about their childhood on the farm.

One thing about my cousin's and uncle's home that is impossible not to notice is the extraordinary number of clocks in every room - clocks of many styles and shapes, all ticking and some occasionally chiming. In the past few years, my cousin Hubie has developed a passion for collecting old clocks, and has become very knowledgeable about fixing them. One thing led to another, and when we left that evening, we’d arranged to mail the family clock to Hubie to see if it could be fixed. Within a few days of receiving it, my cousin emailed that he’d adjusted and oiled the clock - and that it was running like a champ. He wondered if I’d like my uncle to refinish the wooden clock case. I remembered seeing all the beautiful old pieces of furniture my uncle had refinished in their home and said yes.

I was so excited to learn that my clock was working and looked forward to its return, especially after Hubie emailed a photo of it, resplendent in its finished state. In the meantime I asked my mother what she knew about the clock and when it had stopped working. She doesn’t know how long her parents had the clock, possibly it was a wedding gift. She did remember that the last time it was keeping time was in April of 1943 when her mother passed away. Imagine! The old clock had stopped working sixty-six years ago. World War ll was being fought, FDR was president, and people gathered around their radio sets to hear the news of the day. Now, like Rip Van Winkle, the clock has awakened in the twenty-first century, where people wear digital wristwatches run by tiny batteries and we hear about current events nearly instantaneously via the internet.



Last week the clock arrived in the mail, safe and sound. Not only does it keep time, it is stunning in its new transfiguration. My uncle removed the dark stain and gave it a lighter warm finish that shows off the beautiful grain of the wood. Now it sits on a shelf in our living room where we can see it from all directions. It has a quiet but distinct “tic toc”. Its chime is rich, mellow and soft. In the evenings its sounds make a perfect soothing background accompaniment to reading and knitting. I’m still musing on its history and thinking about how coincidental yet fitting it is that members of our Kruse clan gave it a second life.

I don’t know... Perhaps it’s the English major in me, always looking for a story. A newspaper clipping or postcard tucked in the pages of a library book, old black and white photographs of stern-looking families strewn on the counter of a flea market mall ... these fragments can set me pondering and speculating. What’s the story here? So now, as I knit or spin, I look up at Anna’s and John’s clock ticking so placidly, and my imagination stirs. What family vignettes did the old clock witness as it quietly marked time and the children grew? And also, why did the clock stop running after Anna’s death? Was she the one who faithfully kept the clock wound? Or perhaps, with the loss of this farm family’s homemaker, with so much to be done and several sons in the armed services, there simply wasn’t time to bother with the clock.

I don’t expect I’ll ever know the answers to any of my musings. But one thing I do know. The blood that flowed through the hands of that earlier clock-winder also flows through my hands as I take on this task. I look down at the little clock key in my hand and then up at the clock’s face. In the reflection of the glass cover, I see my family smiling back at me.






Dedicated to my mother and grandparents.